Psst…!

Teehee… just for fun, I typed in this url: www.new.prx.org… well how about that!

Radio Multikulti to shut :(

I admit I haven't listen to Radio Multikulti much recently, but it was always on the radar – and its travel programming and weighting towards German language made it a good model for multi-cultural radio stations in Europe.

Or so I thought.

It's closing down.

Bugger. Haven't read all of this article yet but must, and must find out a bit more.

Acting in Features

Just realised something while listening to RTÉ's recent Secrets and Lies. The narrator is being acted – she's not the producer, not a presenter, but an actor.

That brought to mind the Archive Hour on the Radio Ballads – which I only got to hear recently, on ABC's Radio Eye. It told of a time when the words of the common man were transcribed and delivered on radio (the BBC, at least), by actors. They performed regional roles as necessary, in a more understandable form.

Which reminded me of… Radio Lab! Few programmes out there use so many actors (if you lump singers in there too). And few programmes write around tape so much, having the presenters tell you what the interviewee said (but probably in a more log-winded, scientist way). Both of these are part of what makes Radio Lab the show that is defining a generation of radio.

True enough, some people do fear that they are losing the truth of what is being said, while some snobbish, less patient people hate the idea of sound effects and stories being acted. Radio Lab have responded well to that, by putting an entire uncut interview online, as well as allowing interviewees say what they thought of how the final show went out.

Some people complain about Radio Lab's moving away from "journalistic values" – as if it isn't a feature programme to begin with, and as if radio is good only for music, gabbing, and news – but see? The use of actors on Radio Lab is informed by the decades of strong journalistic tradition, from the second world war and from the start of NPR.

Hmmm. Now just maybe I'm pining for the new series of Radio Lab ;)

Saltcast is great.

Fairly simple point today: Saltcast is great.

An insight into what is clearly a very high standard documentary training course, an insight into making faaaab radio items, and said faaaab radio items. Fab!

Two people kinda want Robert Krulwich to be Science Advisor to the next US president

We all know that few people can explain science like Robert Krulwich can.

So I've started a Facebook group calling on the next US president to make Robert Krulwich his Sciece Advisor.

And after three days, one person has joined.

How crap is that! My take on it is: We want to keep him for ourselves, and not take him off the radio, so no one is joining in.

That's it!

Where are we headed?

An ambitious title, Where are we headed?, and as you suspected, this won't be a comprehensive answer. The setting is clear enough: incentive-less digital broadcasting, iPods, mobile phones, and the internet on the tech side, and probable decreased consumer and funder spending.

Plus, it would seem, me writing veeeeery long sentences when I could be asleep. But how and ever.

The big feature shows seem to be dying off. RTÉ canned Curious Ear this spring, despite the international recognition it got. I think the producer, Ronan Kelly, is now doing stuff for their digital station RTÉ Choice, which is fab news. I'm not up to speed with the funding for their digital services – it was always a bit hazy to be to be honest – so I don't know how secure that is. I want it to be secure, that much I know.

And now there's the big news from Australia: the ABC is ditching its best shows, Street Stories and Radio Eye.

I don't know any of the background, but that really is bad news. The paid outlets for creative features are going, going…

Do we have to look to the USA? It would seem so – and PRX have been doing a sterling job of late, bringing us the joy of the Saltcast and Youthcast, as well as a new PRX due soon.

I would love (as ever) to have been at the Third Coast Festival in Chicago last week, but do I have the money? Like hell I do. But I wonder what was the murmur there about the economy.

Oh and this week I had my first experience of a public radio fund drive – listening online to WNYC, it's was rather cool, though timezones and lack of internet access at home meant I only heard Takeaway/ME - Brian Lehrer. Of course I would have loved to have heard Radio Lab funders, maybe like the ones on PRX or whatever.

All that ramble (man, I need a sub), is a prelude to the Where are we headed? bit. Shows like Radio Eye, the hour-long sound and emotion rich feature, are made for listening to while sitting down, doing not much other than enjoying the programme.

So, you kinda need a home to get the most out of it (I listen on the hoof, but know the city is distracting and detracting). And these days, it seems, fewer and fewer people have homes, especially in the US.

Doesn't that suggest a benefit for more iPod friendly programmes? I think so.
And what is iPod friendly? Hmmm. Not sure just yet. My first reaction is "back to basics": speech based, no background music or sounds, low dynamic range, short, well written, to the point.

Of course you can have background sounds, to play "for the fifth listen", but if it's so simple, will people want to listen again anyway? Lot's of opportunities there I think, that's for sure!

Will ponder and post more later, but right now, I've got to find some wi-fi to steal so I can post this!

Hearing Voices and nature sound. Yay!

H/T from the blog of the super Hearing Voices, here's a point to an article on wildlife sound recording and phonography, with a really cool photo!

DNTO, outside radio

Sometimes, I lose interest in DNTO because Sook-Yin Lee is so un-radio, it seems irrelevant to me, it falls apart.

But she is so un-radio, that she she breaks it out and brings it to new people. She makes me feel like a snob or a jealous child, not wanting radio to be enjoyed by other people who "don't get it".

But that is so important! Especially in these days when the technology is shooting off in all sorts of directions. Radio used to be how music people found their new music, but now that's much less the case. So we're losing the music people (though as an aside, if an economic downturn means people are going to gigs less, the full coverage a radio operation can muster of live shows can drag us up a bit – but that's an aside). Sook-Yin Lee is a music person, a wider-world person who happens to be using radio. I've been listening to the podcast for about a year now, before being convinced. But joining up with the new theme music, and (cos this is where the technology and life are making eye-contact) the video on the website, I'm a convert.

Well, I'm still myself of course. Just seeing new ways of making the would audible.

Here's the first video:

The Journey to Away, the Best of Outfront podcast, CBC radio, week of October 1st 2008. 

This is an exemplary use of music and sound – no, the Asian gong is not a patronising or flat tool. Hear how it punctuates the speech, and how it ramps up the significance of words – what could be "just words".

I suspect in parts of Canada, this story may seem old, common, ordinary. There is something out of the ordinary and uncommon at the end, but how to bring in those listeners who may discount the story as "just another one of those"? With evocative sounds, sound that remind listeners why they have heard a story like this before, how the difference between Vietnamese food here and there is something they know, a part of their social definitions.

The gong, like the school children and waves, sounds like field audio. The sounds of war are also so real, that they do a lot of explaining.

On the second listen, I'm more struck with the return journey to away. The sign of a great piece, I think, if it can absorb you yet still leave more to discover on the second listen. That might break one of the traditional rules of radio, but that's always been a news-based rule, and this is, after all, the age of podcasting.

Outfront is one of those amazing shows that made me want to go to Canada and work in the CBC. That's not to say there isn't still a chance of course…